Lamp Kathleen S Quintilian and the Law the Art of Persuasion in Law and Politics

Papers

PaperRank:

Advances in the History of Rhetoric , 2017

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Advances in the History of Rhetoric , 2017

ABSTRACT Limiting ourselves to scholarly books published in English from 2009–2016, we survey cla... more than ABSTRACT Limiting ourselves to scholarly books published in English language from 2009–2016, we survey classics scholarship about rhetoric in ancient Rome from the late republic through the early empire. Nosotros seek traditional threads and growing trends across those works that advance our agreement of rhetoric's practical, theoretical, and material manifestations during that time of tumult and transition. We begin broadly, using companion books to delineate three structural pillars in the scholarship: rhetoric every bit a formal cultural system, the republic every bit subject to ruptures and reinventions, and Cicero as a foremost statesman of the late republic. And then we move into scholarship that draws upon nontraditional rhetorical objects, such every bit art, and that moves into increasingly vibrant areas of involvement in rhetoric, such as the senses. Overall, we find that classicists writing almost aboriginal Roman rhetorical culture share with their counterparts in rhetoric an urge to test old verities and to add historical depth to larger scholarly turns within the humanities.

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Philosophy and Rhetoric , 2013

The acknowledgments preceding The State of Speech illuminate much most the subtext of the book a... more than The acknowledgments preceding The State of Voice communication illuminate much most the subtext of the book and the very real-world problems to which the writer hoped to find a solution in writing information technology. The trouble: the disjunction in post-9/xi America "between the daily practices of citizenship and the do of political ability" (11). Joy Connolly's solution: Cicero's ideal orator. Here Connolly'southward goal is not merely to provide a clearer explanation of Cicero'southward entwined political and rhetorical theory equally read through his ideal orator but also to extract from Cicero's works a rival to electric current republican thought entrenched in "individual liberty" (1). For Connolly, equally for Cicero, this model is based in rhetorical practices. Ultimately, accepting Connolly's argument depends first on the reader'due south acceptance that Ciceronian theory provides a model that values personal experience (including nonelite experience), that the orator is positioned through civility or decorum to recognize others' experiences, and finally that the orator prioritizes the mutual good of all (Roman) people. This requires that Connolly reconcile the Roman masses with the oratorical practices of the elite in the Roman democracy and de-essentialize gender and grade as the basis of full, participatory citizenship. These topics are the frequent focuses of the early chapters of the volume and by far the almost controversial lines of argument. Second, the reader must accept that the Ciceronian model tin can extend beyond the theoretical to actual political practice, presumably, in mail-ix/11America. While the success of Connolly's argument may hinge on the acceptance of these claims, the success of the volume, a theoretically dense reading of republican rhetorical and political theory, primarily, though not exclusively, through the works of Cicero, does not. It is much of the piece of work necessary to underpin the major arguments of the book that holds the greatest value for readers interested in oratorical performance, citizenship, gender, class, and rhetorical theory in aboriginal Rome.

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Quarterly Journal of Oral communication , 2015

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Rhetoric Society Quarterly , 2009

Scholars of rhetoric have veered away from non-traditional rhetorical artifacts in the classical ... more than Scholars of rhetoric have veered away from not-traditional rhetorical artifacts in the classical period. In this article I examine the Ara Pacis Augustae, Altar of Augustan Peace, every bit one such overlooked rhetorical artifact. I contend the altar, although constructed equally a war monument, shapes public retentivity to persuade the people of Rome to accept the dynastic succession of Augustus'due south heir. In add-on, I show a variety of rhetorical theories operate on the altar in visual form including amplification, imitation, and enthymeme. Ultimately I fence that by focusing on not-traditional rhetorical artifacts, nosotros can deepen our agreement of the rhetorical tradition in a flow in which rhetoric is generally believed to have faded away.

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Rhetoric & Public Affairs , 2005

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Philosophy & Rhetoric , 2011

Perhaps none of the words Augustus, the fi rst sole ruler of Rome who reigned from 27 bce to 14 c... more Perhaps none of the words Augustus, the fi rst sole ruler of Rome who reigned from 27 bce to 14 ce , really said are quite as memorable as the ones Cassius Dio has attributed to him: "I found Rome built of clay and I leave it to you in marble" (1987, 56.30). ane Suetonius too discusses Augustus'south edifice programme, off ering an alleged quote along with an explanation of his motivation: "Since the urban center was not adorned as the dignity of the empire demanded, and was exposed to fl ood and fi re, he and then beautifi ed it that he could justly avowal that he had institute it congenital of brick and left it in marble" (1998, Aug .28.three). Thursday ough Suetonius'southward explanation is applied, Dio argues Augustus's "urban center of brick" had a more metaphoric or symbolic meaning: "In saying this he was not referring literally to the state of the buildings, merely rather to the strength of the empire" (1987, 56.30). Both historians, and then, perceive a connection between the physical advent of the urban center and Rome's place at the head of the (Roman) earth. Maecenas, Augustus's right-hand man who was essentially the minister of culture, explicitly draws attention to this strategy in a speech fabricated by Dio. Maecenas advises Augustus, "Make this capital beautiful, spare no expense in doing so, and enhance its magnifi cence with festivals of every kind. Information technology is correct for u.s. who rule over so many peoples to excel all others in every fi eld of endeavor, and even display of this kind tends to implant

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Advances in the History of Rhetoric , 2014

Petronius'due south Satyricon, long recognized as a commentary on rhetorical education, particularly decl... more Petronius's Satyricon, long recognized equally a commentary on rhetorical education, specially declamation, forms a broad critique of (rhetorical) educational practices in the first century rooted in fake—declamation, Greek Atticism, imperial rhetoric—and the types of citizens produced by such practices. Problematically, Petronius's critique, which seeks to redefine class based on a certain cultivated gustatory modality or judgment as opposed to cloth wealth, assumes an elite perspective and falls into the long dismissed "decline narrative" of Roman rhetoric once prevalent in the history of rhetoric. This article seeks to motility beyond "Trimalchio vision," a term used by art historian Lauren Hackworth Peterson to classify derogatory attitudes toward freedmen, to advise that rhetorical didactics in the offset century reached its intended audience, producing upward socially mobile administrators and city patrons in the empire. In other words, rhetorical didactics was reaching a mass audience in first-century Rome.

PaperRank:

Advances in the History of Rhetoric , 2015

This article examines constructions of Roman citizenship in Roman state fine art, arguing that beginni... more This article examines constructions of Roman citizenship in Roman state art, arguing that starting time in the late democracy a broader concept of citizenship was prevalent—ane rooted largely in shared culture and defined in opposition to a "barbarian" other. From this reading of country art, two arguments sally: First, the emphasis on enculturation created an ever-moving line between Roman and barbarian. 2nd, the subject position created subjected both the Roman viewer and not-Roman subject. The article then turns to a reading of Greek orator Aristides's Regarding Rome to show that the concept of citizenship stressed in land art is clearly present, though not necessarily well received.

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Philosophy & Rhetoric

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Advances in the History of Rhetoric

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A Metropolis of Marble

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Proquest Llc , 2009

PaperRank:

Advances in the History of Rhetoric , 2014

Petronius's Satyricon, long recognized every bit a commentary on rhetorical educational activity, particularly decl... more Petronius's Satyricon, long recognized as a commentary on rhetorical instruction, specially declamation, forms a wide critique of (rhetorical) educational practices in the outset century rooted in imitation -- declamation, Greek Atticism, imperial rhetoric -- and the types of citizens produced by such practices. Problematically, Petronius'south critique, which seeks to redefine class based on a sure cultivated sense of taste or judgment every bit opposed to cloth wealth, assumes an aristocracy perspective and falls into the long dismissed "decline narrative" of Roman rhetoric one time prevalent in the history of rhetoric. This commodity seeks to move beyond "Trimalchio vision," a term used past art historian Lauren Hackworth Peterson to classify derogatory attitudes toward freedmen, to advise that rhetorical pedagogy in the first century reached its intended audience, producing upward socially mobile administrators and city patrons in the empire. In other words, rhetorical educational activity was reaching a mass audience in first-century Rome.

PaperRank:

Philosophy and Rhetoric , 2011

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Rhetoric Society Quarterly , 2009

Scholars of rhetoric take veered away from not-traditional rhetorical artifacts in the classical ... more Scholars of rhetoric take veered abroad from non-traditional rhetorical artifacts in the classical period. In this article I examine the Ara Pacis Augustae, Chantry of Augustan Peace, as one such overlooked rhetorical artifact. I argue the altar, although constructed as a war monument, shapes public retentiveness to persuade the people of Rome to take the dynastic succession of Augustus's heir. In addition, I testify a diversity of rhetorical theories operate on the chantry in visual course including amplification, imitation, and enthymeme. Ultimately I contend that by focusing on nontraditional
rhetorical artifacts, we tin can deepen our understanding of the rhetorical tradition in a period in which rhetoric is generally believed to have faded abroad.

PaperRank:

Books

In A City of Marble, Kathleen Lamp argues that classical rhetorical theory shaped the Augustan cu... more In A Metropolis of Marble, Kathleen Lamp argues that classical rhetorical theory shaped the Augustan cultural campaigns and that in turn the Augustan cultural campaigns functioned rhetorically to help Augustus proceeds and maintain power and to influence civic identity and participation in the Roman Principate (27 b. c. east.--xiv c. eastward.).
Lamp begins by studying rhetorical treatises, those texts nearly familiar to scholars of rhetoric, and moves on to those most obviously using rhetorical techniques in visual course. She and so arrives at those objects least recognizable as rhetorical artifacts, just perhaps most significant to the daily lives of the Roman people--coins, altars, wall painting. This progression too captures the development of the Augustan political myth that Augustus was destined to dominion and lead Rome to greatness equally a descendant of the hero Aeneas.
A City of Marble examines the institution of this myth in state rhetoric, traces its circulation, and finally samples its popular receptions and adaptations. In doing and so, Lamp inserts a long-excluded though meaning audience--the mutual people of Rome--into contemporary understandings of rhetorical history and considers Augustan culture as significant in shaping civic identity, encouraging civic participation, and promoting social advancement.
Lamp approaches the relationship between classical rhetoric and Augustan culture through a transdisciplinary methodology drawn from archeology, art and architectural history, numismatics, classics, and rhetorical studies. By doing so, she grounds Dionysius of Halicarnassus'southward claims that the Principate represented a renaissance of rhetoric rooted in culture and a return to an Isocratean philosophical model of rhetoric, thus offering a counterstatement to the "decline narrative" that rhetorical practice withered in the early Roman Empire. Thus Lamp's work provides a step toward filling the disciplinary gap betwixt Cicero and the Second Sophistic.

PaperRank:

Advances in the History of Rhetoric , 2017

PaperRank:

Advances in the History of Rhetoric , 2017

ABSTRACT Limiting ourselves to scholarly books published in English from 2009–2016, we survey cla... more ABSTRACT Limiting ourselves to scholarly books published in English from 2009–2016, nosotros survey classics scholarship almost rhetoric in ancient Rome from the tardily republic through the early empire. We seek traditional threads and growing trends beyond those works that advance our understanding of rhetoric'due south practical, theoretical, and fabric manifestations during that time of tumult and transition. We begin broadly, using companion books to delineate three structural pillars in the scholarship: rhetoric equally a formal cultural system, the republic as subject to ruptures and reinventions, and Cicero as a foremost statesman of the belatedly republic. Then we motility into scholarship that draws upon nontraditional rhetorical objects, such equally art, and that moves into increasingly vibrant areas of interest in rhetoric, such as the senses. Overall, we find that classicists writing nigh aboriginal Roman rhetorical civilisation share with their counterparts in rhetoric an urge to exam quondam verities and to add historical depth to larger scholarly turns within the humanities.

PaperRank:

Philosophy and Rhetoric , 2013

The acknowledgments preceding The Country of Speech illuminate much about the subtext of the book a... more The acknowledgments preceding The State of Speech illuminate much about the subtext of the book and the very existent-world issues to which the author hoped to find a solution in writing it. The problem: the disjunction in mail service-9/11 America "between the daily practices of citizenship and the exercise of political power" (xi). Joy Connolly'due south solution: Cicero'southward ideal orator. Here Connolly's goal is not only to provide a clearer explanation of Cicero'southward entwined political and rhetorical theory as read through his ideal orator only besides to extract from Cicero'south works a rival to current republican idea entrenched in "individual liberty" (1). For Connolly, as for Cicero, this model is based in rhetorical practices. Ultimately, accepting Connolly'due south argument depends offset on the reader's acceptance that Ciceronian theory provides a model that values personal experience (including nonelite experience), that the orator is positioned through civility or decorum to recognize others' experiences, and finally that the orator prioritizes the common good of all (Roman) people. This requires that Connolly reconcile the Roman masses with the oratorical practices of the elite in the Roman republic and de-essentialize gender and class as the basis of full, participatory citizenship. These topics are the frequent focuses of the early chapters of the book and by far the near controversial lines of argument. Second, the reader must accept that the Ciceronian model can extend beyond the theoretical to actual political exercise, presumably, in post-9/11America. While the success of Connolly'south argument may hinge on the credence of these claims, the success of the book, a theoretically dumbo reading of republican rhetorical and political theory, primarily, though non exclusively, through the works of Cicero, does non. Information technology is much of the work necessary to underpin the major arguments of the book that holds the greatest value for readers interested in oratorical performance, citizenship, gender, class, and rhetorical theory in ancient Rome.

PaperRank:

Quarterly Journal of Speech , 2015

PaperRank:

Rhetoric Social club Quarterly , 2009

Scholars of rhetoric have veered away from non-traditional rhetorical artifacts in the classical ... more Scholars of rhetoric have veered abroad from non-traditional rhetorical artifacts in the classical period. In this commodity I examine the Ara Pacis Augustae, Altar of Augustan Peace, as one such disregarded rhetorical artifact. I debate the altar, although synthetic as a war monument, shapes public memory to persuade the people of Rome to accept the dynastic succession of Augustus's heir. In addition, I show a variety of rhetorical theories operate on the altar in visual form including amplification, imitation, and enthymeme. Ultimately I contend that by focusing on non-traditional rhetorical artifacts, we can deepen our agreement of the rhetorical tradition in a period in which rhetoric is generally believed to accept faded away.

PaperRank:

Rhetoric & Public Diplomacy , 2005

PaperRank:

Philosophy & Rhetoric , 2011

Perhaps none of the words Augustus, the fi rst sole ruler of Rome who reigned from 27 bce to 14 c... more Perhaps none of the words Augustus, the fi rst sole ruler of Rome who reigned from 27 bce to 14 ce , actually said are quite every bit memorable as the ones Cassius Dio has attributed to him: "I plant Rome built of clay and I exit information technology to yous in marble" (1987, 56.xxx). ane Suetonius too discusses Augustus'south building plan, off ering an alleged quote along with an explanation of his motivation: "Since the city was not adorned equally the dignity of the empire demanded, and was exposed to fl ood and fi re, he so beautifi ed it that he could justly avowal that he had found it built of brick and left information technology in marble" (1998, Aug .28.three). Th ough Suetonius's explanation is practical, Dio argues Augustus's "city of brick" had a more metaphoric or symbolic significant: "In saying this he was not referring literally to the country of the buildings, but rather to the force of the empire" (1987, 56.thirty). Both historians, then, perceive a connexion between the physical advent of the metropolis and Rome'south place at the caput of the (Roman) world. Maecenas, Augustus's right-hand man who was essentially the minister of culture, explicitly draws attention to this strategy in a oral communication fabricated past Dio. Maecenas advises Augustus, "Brand this uppercase cute, spare no expense in doing so, and enhance its magnifi cence with festivals of every kind. Information technology is right for us who dominion over then many peoples to excel all others in every fi eld of endeavor, and even display of this kind tends to implant

PaperRank:

Advances in the History of Rhetoric , 2014

Petronius's Satyricon, long recognized as a commentary on rhetorical education, particularly decl... more Petronius's Satyricon, long recognized every bit a commentary on rhetorical teaching, specially declamation, forms a wide critique of (rhetorical) educational practices in the first century rooted in faux—declamation, Greek Atticism, purple rhetoric—and the types of citizens produced by such practices. Problematically, Petronius'south critique, which seeks to redefine class based on a certain cultivated taste or judgment every bit opposed to material wealth, assumes an elite perspective and falls into the long dismissed "decline narrative" of Roman rhetoric once prevalent in the history of rhetoric. This commodity seeks to movement across "Trimalchio vision," a term used by art historian Lauren Hackworth Peterson to classify derogatory attitudes toward freedmen, to advise that rhetorical education in the kickoff century reached its intended audition, producing upward socially mobile administrators and urban center patrons in the empire. In other words, rhetorical education was reaching a mass audience in first-century Rome.

PaperRank:

Advances in the History of Rhetoric , 2015

This article examines constructions of Roman citizenship in Roman state art, arguing that beginni... more This article examines constructions of Roman citizenship in Roman state art, arguing that beginning in the late republic a broader concept of citizenship was prevalent—1 rooted largely in shared civilization and defined in opposition to a "barbarian" other. From this reading of state art, ii arguments emerge: First, the emphasis on enculturation created an ever-moving line betwixt Roman and barbarian. Second, the subject position created subjected both the Roman viewer and non-Roman subject. The article and so turns to a reading of Greek orator Aristides's Regarding Rome to show that the concept of citizenship stressed in state art is clearly present, though not necessarily well received.

PaperRank:

Philosophy & Rhetoric

PaperRank:

Advances in the History of Rhetoric

PaperRank:

A City of Marble

PaperRank:

Proquest Llc , 2009

PaperRank:

Advances in the History of Rhetoric , 2014

Petronius'due south Satyricon, long recognized as a commentary on rhetorical education, particularly decl... more Petronius's Satyricon, long recognized as a commentary on rhetorical education, particularly declamation, forms a wide critique of (rhetorical) educational practices in the beginning century rooted in imitation -- declamation, Greek Atticism, imperial rhetoric -- and the types of citizens produced past such practices. Problematically, Petronius's critique, which seeks to redefine grade based on a certain cultivated taste or judgment as opposed to material wealth, assumes an elite perspective and falls into the long dismissed "pass up narrative" of Roman rhetoric once prevalent in the history of rhetoric. This commodity seeks to move across "Trimalchio vision," a term used by fine art historian Lauren Hackworth Peterson to allocate derogatory attitudes toward freedmen, to suggest that rhetorical education in the first century reached its intended audience, producing upwardly socially mobile administrators and city patrons in the empire. In other words, rhetorical educational activity was reaching a mass audition in first-century Rome.

PaperRank:

Philosophy and Rhetoric , 2011

PaperRank:

Rhetoric Gild Quarterly , 2009

Scholars of rhetoric have veered abroad from not-traditional rhetorical artifacts in the classical ... more Scholars of rhetoric take veered away from non-traditional rhetorical artifacts in the classical period. In this commodity I examine the Ara Pacis Augustae, Altar of Augustan Peace, as 1 such overlooked rhetorical antiquity. I argue the altar, although constructed as a state of war monument, shapes public memory to persuade the people of Rome to accept the dynastic succession of Augustus's heir. In addition, I show a diversity of rhetorical theories operate on the altar in visual course including amplification, imitation, and enthymeme. Ultimately I contend that by focusing on nontraditional
rhetorical artifacts, nosotros can deepen our understanding of the rhetorical tradition in a flow in which rhetoric is more often than not believed to have faded away.

PaperRank:

In A City of Marble, Kathleen Lamp argues that classical rhetorical theory shaped the Augustan cu... more than In A City of Marble, Kathleen Lamp argues that classical rhetorical theory shaped the Augustan cultural campaigns and that in turn the Augustan cultural campaigns functioned rhetorically to aid Augustus proceeds and maintain power and to influence borough identity and participation in the Roman Principate (27 b. c. e.--14 c. e.).
Lamp begins by studying rhetorical treatises, those texts nearly familiar to scholars of rhetoric, and moves on to those most obviously using rhetorical techniques in visual course. She then arrives at those objects least recognizable as rhetorical artifacts, simply perhaps almost pregnant to the daily lives of the Roman people--coins, altars, wall painting. This progression also captures the development of the Augustan political myth that Augustus was destined to dominion and lead Rome to greatness as a descendant of the hero Aeneas.
A Metropolis of Marble examines the institution of this myth in state rhetoric, traces its circulation, and finally samples its popular receptions and adaptations. In doing so, Lamp inserts a long-excluded though significant audience--the common people of Rome--into contemporary understandings of rhetorical history and considers Augustan culture as meaning in shaping civic identity, encouraging civic participation, and promoting social advancement.
Lamp approaches the human relationship between classical rhetoric and Augustan culture through a transdisciplinary methodology drawn from archeology, fine art and architectural history, numismatics, classics, and rhetorical studies. Past doing so, she grounds Dionysius of Halicarnassus'due south claims that the Principate represented a renaissance of rhetoric rooted in culture and a return to an Isocratean philosophical model of rhetoric, thus offer a counterstatement to the "turn down narrative" that rhetorical practice withered in the early Roman Empire. Thus Lamp's work provides a step toward filling the disciplinary gap between Cicero and the Second Sophistic.

PaperRank:

Rhetorica , 2014

PaperRank:

Philosophy and Rhetoric , 2013

PaperRank:

barnabycinceres.blogspot.com

Source: https://asu.academia.edu/KathleenLamp

Lamp Kathleen S Quintilian and the Law the Art of Persuasion in Law and Politics

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